The block uses these shapes that have connector corners that flip back. Usually I trim away the extra fabric behind the top triangle, but because these are white, I left them there so that the seam wouldn't shadow through to be visible. It doesn't add too much bulk in the seams, and I'm pretty sure I won't be handquilting through the layers!
When I set the blocks side by side to see how they would look together, they seemed sort of darkish. I wanted to get more of the light fabric into the design, so I thought about adding some sashing between the blocks. I decided to piece the sashing with more of the dark fabric to amplify the pattern. I think I like it, although it is a little different from what I had expected when I first started sewing the blocks. However, I have to remind myself to be open to what happens, even if I have to see it as a different kind of quilt.
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| like this one by Bonnie Hunter, found here |
Still thinking about getting an overall lighter effect, I placed some of my leftover (partway through, I changed my mind from making 30 blocks to 20 blocks) sections together to see what they'd be like as a border.
I'll have to think a bit more about that, and welcome any input you might have...
On another note, this is what I came home with the other day after shopping!
Some Alexander Henry fabrics, and some others, including more of the beige linen! yay, they had more. Also I went to the yarn store, called "Wild Fibre" to get a bit more of the red that I need for the scarf I have in progress, and some beautiful shell pink that I'm thinking of using for a cushion cover,
Isn't it strange how even when you are shopping for various projects, the elements often seem to go together really nicely?

